NATYASHASTRA NOT OUR SHASTRA?
Around the year 200 B.C, Bharat muni, the venerable sage, penned what is considered the Sutra, the Bible of classical Indian dance, rhythm and drama-Natyashastra. Written in Sanskrit, it is the fifth Veda-a compilation of recitation from Rigveda, melody from Samveda, the concept of acting from Yajurveda and sentiments from Athervaveda.

Natyashastra the oldest existent script on Indian art and culture is the base on which popular Indian classical dances such as Bharat Natyam, Kathak, Odissi etc.are based. It is the path that leads to the divine process of creation of dramatic art and its relation to the Vedas.

If a Surti would want to look up classes offering training for the same, chances are the results would show more dodhiya, salsa, filmy dance classes than those of traditional dance shailees.

While Surtis are eager zealots when it comes to dance any day, they prefer it to be freestyle and trendy.

Traditional dance has but few takers in our town, even when stalwarts like Hema Malini come in to perform a ballet occasionally; it’s more about her star appeal rather than the performance.

For people who deem this culture old fashioned, lets not forget that it has been kept alive through the spirit of people like the Late Protima Bedi, one of the most modern women of her times.

Dance diva Mallika Sarabhai once said,’ people are looking for tarat natyam in Bharat natyam these days’.

’Arangetram’ has turned into a major money spending event, once performed with rented gear and as a tribute to Guru and graduation, it is now a gala social status event .

Since Navratri is now over, Surtis are already gearing up for New Years Eve in December, enrolling and spending enormous amounts for western dance classes around Tapi town. The ‘dancing sirs’ will not only get them from fat to fit with fun, but will also get them geared for celebrating various disco parties held during Christmas season.

Sadly, over the years, the traditional Indian dance classes in town for Kathak, Odissi,
Bharat Natyam, for which we do have qualified Gurus, have stagnated. If you have happened to have learnt it as a child in Surat, you may very well be assured; your kids will be taught by the same guru.

We are yet to have an institute of state level caliber. With few takers and ever rising inflation, it has become difficult for most institutions to break even and progress providing the culture its ethos.

Inspite of which the ‘juna and jaanita ’teachers have held up the banners through come what may circumstances. At a very nominal tuition fee, they distribute ancient knowledge that would be considered invaluable in another city or state.

I recently received an e-mail that depicts the various health benefits of finger‘mudras’ when performed on a regular basis. Health and trend conscious Surtis lapped it up.

I have a bad feeling that just as food, fashion and western dance are accepted and popular in Surat only after they are altered to the Surti version, most people in Laladom would want some fusion in ethnic Indian dance culture, to be inspired enough to follow it.

Knowing only too well, how disastrous the result could be! I mean, can you imagine a Surti version of even the simple Mudras-‘Patak’,’Tri –Patak,’’Ardh-Patak’, to begin with? Now that would certainly be blasphemous!!!!!!

SATURDAY NIGHT FERVOUR! DESPITE ‘DEARTH-E-DISCO’
A recent trend in weekend parties is,’ The D.J. night’ .Due to ‘dearth-e- discothèques’ in town, Surtis now organize dance parties at their own private premises to boogie their blues away.So, within a room, hall or terrace, you have a sound system that blares away, put up along with a strobe and some flashy laser lights, all handled by the local D.J .The invitees wade in from 10 P.M.onwards to dance in wild abandon through the night. Friends take turns to host these, depending on whose parents are away on that weekend.

The reason for this trend may also be a result of the so called’ Western Dance’ classes which have sprung up nineteen to the dozen, of late, in Tapi town . These classes are efficiently run by amateurs, who love to admire themselves in the mirrors while students prance to their tunes. Known as the ‘dancing sirs’, they promise to turn our Surti ‘lalarinas’into ballerinas. Shops in arcades around town are rented out and converted into dance studios to serve the purpose.

Enthusiastic housewives, teenagers and children throng these and pay atrocious amounts to learn desi freestyle versions of what is presented to them in the name of dance. Tapi Tango, Surti Salsa, Wishful Waltz, Chulbula Cha Cha Cha etc; performed on Indipop music by the flexible eye candy .Surti mommies and aunties who look upon these as a great place to loose weight are getting into the groove here. Shaking a leg to,’ hips don’t lie’ [how apt] in hope that it takes their’ breadth’ away.

Unfortunately, most Surti Hubbies do not share the excitement of performing fancy moves with their now’ bitter ‘halves. Consequently, the ladies either search for a willing female partner or dance by themselves or with their own shadows to enact out these newly learnt skills.Surti men, on the other hand, like to dance in groups.‘Jhoond ma Nacho ‘is their motto. So irrespective of the fact that Bruce Springsteen is crooning, ’Dancing in the dark, ‘or Bryan Adams is soulfully singing,’Everything I do, I do it for you,’ the guys are busy, hopping away in a circle that would remind you of’ ring a ring of roses’ from kindergarten. Talk about male bonding, man!

The all-time favourite step of all Surti men is easily the ‘Kaipo che’ and ‘Lapate’ step that resembles the act of kite-flying and rolling the thread reel. The other popular step is a version of ‘two taali garba ’with an action of boxing and hopscotch added to it. Sometimes, they mime fervently playing a guitar or the drums too! Whether they are dancing at weddings, parties, Navratri or New Year’s Eve, Surti men are sure to shake their booty, in the above mentioned ways.

All in all, it would be rare, to see a Surti who is not raring to go for it unabashedly on the dance floor. As the women jerk hysterically to ‘sexy, naughty, bitchy me’, men jovially jump to,’ another brick in the wall’ and kids perform acrobatics to,’dard-e-disco’, in the name of dance, they do so powered by the great Surti spirit and freedom of expression, ‘aapde toh bhai aavaj chiye’.Thus, the evening culminates into a freestyle of-
‘Salsa, nacho and tang-o’ combo [no reference to food here, mind you.]
So rejoice dearies and celebrate Saturday night’ fervour’without inhibitions and ‘prohibition’ because, D.J. Nights are here to stay as Surtis sway their stress away!